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The Pocket Lawyer for Filmmakers: A Legal Toolkit for Independent Producers, by Thomas A. Crowell
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* How can you use a state's film tax credits to fund your film? SEE PAGE 63.
* You have an idea you want to pitch to a production company; how do you safeguard your concept? SEE PAGE 77.
* How can you fund your production with product placement? SEE PAGE 157.
* How do you get a script to popular Hollywood actors and deal with their agents? SEE PAGE 222.
Find quick answers to these and hundreds of other questions in this new edition of The Pocket Lawyer for Filmmakers. This no-nonsense reference provides fast answers in plain English-no law degree required! Arm yourself with the practical advice of author Thomas Crowell, a TV-producer-turned-entertainment-lawyer.
This new edition features:
* New sections on product placement, film tax credits and production incentive financing, Letters of Intent, and DIY distribution (four-walling, YouTube, Download-to-own, Amazon.com, iTunes, and Netflix)
* Updated case law
* Even more charts and graphics to help you find the information you need even more quickly.
This book is the next best thing to having an entertainment attorney on retainer!
- Sales Rank: #132772 in eBooks
- Published on: 2012-11-12
- Released on: 2012-11-12
- Format: Kindle eBook
Review
"...provides a readable map through the world of legalese and contract negotiations for any filmmaker interested in doing pretty much all his or her own producing legwork....It's an excellent, potentially career-saving resource." - Back Stage
"Filmmakers need to do what they can to make sure that they cover all of their legal bases. The problem is that the task seems so huge and overwhelming, that most of us don't even know where to start. This book does an excellent job of breaking it down for you: what you can do, what you need to do, and what you will need help doing." -Microfilmmaker Magazine
"While reading the book may feel like doing word problem after word problem, there's no denying you're smarter on Page 318 than you were on Page 1. It's an excellent, potentially career-saving resource.” -Sam Thielman, Back Stage Magazine
From the Back Cover
Find quick answers to hundreds of questions in The Pocket Lawyer for Film and Video. This no-nonsense reference provides fast answers in plain English with no law degree required! It is designed to help you reduce legal costs by providing the vital information you need to make informed decisions on the legal aspects of your film, video, and TV productions.
Actors get hurt, copyrights are infringed, and contracts are broken. Big-budget producers have lawyers on retainer, but as an independent filmmaker, you are left legally exposed. Arm yourself with the practical advice of a TV-producer-turned-entertainment-lawyer.
The format is carefully designed for quick reference, so you get the answers you need, fast. Features include:
*Clause Companion: explains the meaning and impact of typical contract clauses, taking the headache out of reading them
*F.A.Q.s: instantly answers the most commonly asked legal questions
*Warnings: alerts you to critical areas and common mistakes
Avoid common pitfalls, save money, avoid lawsuits, and become empowered in your daily work. The next best thing to having an entertainment attorney at your beck and call is having one in your pocket!
Thomas A. Crowell counsels his clients in New York and New Jersey on a wide range of entertainment law and intellectual property rights issues. Prior to becoming an attorney, Mr. Crowell produced television news and children's entertainment for over a decade.
Most helpful customer reviews
29 of 29 people found the following review helpful.
Excellent and Approachable Guide to Key Filmmaking Legal Issues - Great for Non-Lawyers
By Jason Mark Anderman
Even though I've practiced law for many years outside of the entertainment law area, now that I have moved over into independent film production, I have found the legal issues involved in properly putting together a film to be daunting. If these entertainment law issues are hard for me, as an experienced attorney, I can imagine that they are dramatically more difficult to handle for everyone else. As a result, it is frankly tempting to instead focus on the artistic side of filmmaking so you can skip slogging through the legal quagmire, but you do so at your peril. This is true for a number of reasons, but most importantly, you are taking a huge risk because distributors won't touch a distribution deal for a film with serious legal problems. Fortunately, I've found that this book takes away much of the pain of learning about the legal issues in film, simply because it is so approachable. After reading this book, I really believe that even non-lawyers can quickly grasp the legal challenges of filmmaking. Best of all, the book skips typical "legalese" and instead offers easy to understand, quick references to the contracts, rights clearance and negotiating issues that everyone should understand. Not only did I like the book, but it really is unique, because there's very little else out there on this subject. It really should be on the desk of every producer. I couldn't recommend it more.
15 of 15 people found the following review helpful.
Updated version
By Christina Paul
This is a great handbook for anyone in the film or media industry. I have an earlier version of this on my Kindle, there are some additions to this version as opposed to the last one. There is updated information on film tax credit changes, production incentives. The EZ tabs on the outside of the book make it very easy to find information. There are the basics and then more in depth topics that can keep you farom having to call your entertainment attorney most of the time. When the cost per hour for some of these guys is between $200 and $400 an hour, that is always a plus! Having examples of letters of intent, as wellas suggestions on distribution via Amazon, NetFlix, YouTube, etc are all covered in this volume. In the digital age, in any sort of entertainment field, you need to know these things. At the particular time that I received my own copy of the book, I needed an updated form of an NDA for an upcoming film project. It had exactly what I needed when I needed it. Keep it on your desk where you can get to it.
13 of 13 people found the following review helpful.
A powerful guide in a small package!
By S. WALKER
This book contains a wealth of information presented in a clear, concise, yet thorough manner. Whether you are a writer, producer, composer, or actor, this book will help you understand the legal issues that are part of the process of filmmaking. You can use it as a quick reference to answer a specific question, or you can read it from the beginning as the author unpacks legal concepts and the step-by-step process of setting up a production company to selling your film. As a bonus the book has appendices that make up a valuable law library of intellectual property, i.e. copyright, trademarks; contract law, labor, and employment law. And if you are a law student or lawyer, this book is better than any entertainment law class you will ever take and at a fraction of the price.
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